The weather may be bad, but we are fortunate. Our highways are quickly plowed and de-iced, our homes lighted and reheated with electrical power quickly restored.

But for the ancients it was the time of the long night -- great darkness, piercing cold, and dwindling food stores. February was such a harsh and brutal month that it was called the Dead-month.
...
Since travel at this time of year was so fraught with danger, celebrating Imbolc at a large regional festival was out of the question. Instead the Feast of Brigid was celebrated with small rituals in the village and in the home.

Imbolc was nonetheless an important holiday because its message was "hold on, there is hope...the bitter days of winter are near their end." It marked the midway point between the winter and the spring solstice, a time when hope begins to stir with a longing for the return of spring.

Imbolc (also called Oimelc) was primarily a women's festival. Young girls dressed in white carried a corn dolly in processions. Women made corn cakes from the grains that were gathered first and last in last year's harvest and the women and girls feasted together.

And there would be matchmaking as well. With so many deaths over the harsh winter months, it was important to replenish the population of the community so marriageable young men would be invited to attend as well.

Signs of spring's approach would often appear, if only one would look closely.

the softening of the ewes' udders to prepare for lactation when the lambs would soon be born. This lent the name Oimelc (ewes' milk) to the holy day
the thawing of the ice and snow (from "imbolc", meaning well waters), and
the emergence of a few hibernating animals who awoke early to see if the cold and hungry months had ended.
As inspiration, muse, healer, and diviner, Brigid's divine talents bring us hope.
Hail Brigid!

CHARMED, I'M SURE
To gain the love of someone: On a night of the full moon, walk to a spot beneath your beloved's bedroom window, and whisper his/her name three times to the night wind. --Ozark love spell
* * * * * * * * * * * * *
It seems to be an immutable law of nature. You are interviewed by a local radio or TV station, or in some local newspaper. The topic of the interview is Witchcraft or Paganism, and you spend the better part of an hour brilliantly articulating your beliefs, your devotion to Goddess and nature, the difference between Witchcraft and Satanism, and generally enlightening the public at large. The next day, you are flooded with calls. Is it people complimenting you on such a splendid interview? No. People wanting to find out more about the religion of Wicca? Huh-uh.
People who are even vaguely interested in what you had to say??? Nope.
Who is it? It's people asking you to do a love spell for them! This used
to drive me nuts. I'd take a deep breath and patiently explain (for the
thousandth time) why I won't even do love spells for myself, let alone anyone else. This generally resulted in my caller becoming either angry or
defensive, but seldom more enlightened. 'But don't you DO magic?', they ask. 'Only occasionally,' I answer. 'And aren't most magic spells love
spells?', they persist. That was the line I really hated, because I knew
they were right! At least, if you look at the table of contents of most
books on magic, you'll find more love spells than any other kind. This
seems as true for the medieval grimoire as for the modern drugstore paperback.
Why? Why so many books containing so many love spells? Why such an emphasis on a kind of magic that I, personally, have always considered very negative? And to make matters even more confusing, the books that do take the trouble of dividing spells between 'positive' and 'negative' magic invariably list love spells under the first heading. After all, they would argue, love is a good thing. There can never be too much of it.
Therefore, any spell that brings about love must be a GOOD spell. Never
mind that the spell puts a straightjacket on another's free will, and then
drops it in cement for good measure.
And that is why I had always assumed love magic to be negative magic.
Years ago, one of the first things I learned as a novice Witch was
something called the Witch's Rede, a kind of 'golden rule' in traditional
Witchcraft. It states,'An it harm none, do what thou will.' One uses
this rede as a kind of ethical litmus test for a spell. If the spell
brings harm to someone -- anyone (including yourself!) --then don't do it!
Unfortunately, this rule contains a loophole big enough to fly a broom
through. It's commonly expressed, 'Oh, this won't HARM them; it's really
for their own good.' When you hear someone say that, take cover, because
something especially nasty is about to happen.
That's why I had to develop my own version of the Witch's Rede. Mine
says that if a spell harms anyone, OR LIMITS THEIR FREEDOM OF THOUGHT OR
ACTION IN ANY WAY, then consider it negative, and don't do it. Pretty
strict, you say? Perhaps. But there's another law in Witchcraft called
the Law of Threefold Return. This says that whatever power you send out,
eventually comes back to you three times more powerful. So I take no
chances. And love spells, of the typical make-Bobby-love-me type,
definitely have an impact on another's free will.

So why are they so common? It's taken me years to make peace with
this, but I think I finally understand. The plain truth is that most of us
NEED love. Without it, our lives are empty and miserable. After our basic
survival needs have been met, we must have affection and companionship for
a full life. And if it will not come of its own accord, some of us may be
tempted to FORCE it to come. And nothing can be as painful as loving
someone who doesn't love you back. Consequently, the most common,
garden-variety spell in the world is the love spell.

Is there ever a way to do a love spell and yet stay within the
parameters of the Witch's Rede? Possibly. Some teachers have argued that
if a spell doesn't attempt to attract a SPECIFIC person into your life, but
rather attempts to attract the RIGHT person, whomever that may be, then it
is not negative magic. Even so, one should make sure that the spell finds
people who are 'right' for each other -- so that neither is harmed, and
both are made happy.

Is there ever an excuse for the make-Bobby-love-me type of spell?
Without endorsing this viewpoint, I must admit that the most cogent
argument in its favor is the following: Whenever you fall in love with
someone, you do everything in your power to impress them. You dress nicer,
are more attentive, witty, and charming. And at the same time, you
unconsciously set in motion some very powerful psychic forces. If you've
ever walked into a room where someone has a crush on you, you know what I
mean. You can FEEL it. Proponents of this school say that a love spell
only takes the forces that are ALREADY there -- MUST be there if you're in
love -- and channels them more efficiently. But the energy would be there
just the same, whether or not you use a spell to focus it.

I won't attempt to decide this one for you. People must arrive at
their own set of ethics through their own considerations. However, I would
call to your attention all the cautionary tales in folk magic about love
spells gone awry. Also, if a love spell has been employed to join two
people who are not naturally compatible, then one must keep pumping energy
into the spell. And when one finally tires of this (and one will, because
it is hard work!) then the spell will unravel amidst an emotional and
psychic hurricane that will make the stormiest divorces seem calm by
comparison. Not a pretty picture.
It should be noted that many spells that pass themselves off as love
spells are, in reality, sex spells. Not that there's anything surprising
in that, since our most basic needs usually include sex. But I think we
should be clear from the outset what kind of spell it is. And the same
ethical standards used for love spells can often be applied to sex spells.
Last year, the very quotable Isaac Bonewits, author of 'Real Magic', taught
a sex magic class here at the Magick Lantern, and he tossed out the
following rule of thumb: Decide what the mundane equivalent of your spell
would be, and ask yourself if you could be arrested for it. For example,
some spells are like sending a letter to your beloved in the mail, whereas
other spells are tantamount to abduction. The former is perfectly legal
and normal, whereas the latter is felonious.
One mitigating factor in your decisions may be the particular
tradition of magic you follow. For example, I've often noticed that practitioners of Voudoun (Voodoo) and Santeria seem much more focused on the wants and needs of day-to-day living than on the abstruse ethical considerations we've been examining here. That's not a value judgement -- just an observation. For example, most followers of Wicca STILL don't know how to react when a Santerian priest spills the blood of a chicken during a ritual -- other than to feel pretty queasy. The ethics of one culture is not always the same as another.
And speaking of cultural traditions, another consideration is how a
culture views love and sex. It has often been pointed out that in our
predominant culture, love and sex are seen in very possessive terms, where
the beloved is regarded as one's personal property. If the spell uses this
approach, treating a person as an object, jealously attempting to cut off
all other relationships, then the ethics are seriously in doubt. However,
if the spell takes a more open approach to love and sex, not attempting to
limit a person's other relationships in any way, then perhaps it is more
defensible. Perhaps. Still, it might be wise to ask, Is this the kind of
spell I'd want someone to cast on me?

Love spells. Whether to do them or not. If you area practitioner
of magic, I dare say you will one day be faced with the choice. If you
haven't yet, it is only a matter of time. And if the answer is yes, then
which spells are ethical and which aren't? Then you, and only you, will
have to decide whether 'All's fair in love and war', or whether there are
other, higher, metaphysical considerations.

http://katerinaelhaj.b...s-for-the-craft

YULE (circa December 21)

The altar is adorned with evergreens such as pine, rosemary, bay, juniper and cedar, and the same can be laid to mark the Circle of Stones. Dried leaves can also be placed on the altar.
The cauldron, resting on the altar on a heat-proof surface (or placed before it if too large), should be filled with ignitable spirit (alcohol), or a red candle can be placed within it. At outdoor rites, lay a fire within the cauldron to be lit during ritual.
Arrange the altar, light the candles and incense, and cast the Circle of Stones.
Recite the Blessing Chant.
Invoke the Goddess and God.
Stand before the cauldron and gaze within it. Say these or similar words:

I sorrow not,
though the world is wrapped in sleep.
I sorrow not,
though the icy winds blast.
I sorrow not,
though the snow falls hard and deep.
I sorrow not,
this too shall soon be past.

Ignite the cauldron (or candle), using long matches or a taper. As the flame(s) leap up say:

I light this fire in Your honor,
Mother Goddess
You have created life from death;
warmth from cold;
The Sun lives once again;
the time of light is waxing.
Welcome,
ever-returning God of the Sun!
Hail Mother of All!

Circle the altar and cauldron slowly, clockwise, watching the flames. Say the following chant for some time:

The wheel turns; the power burns.

Meditate upon the Sun, on the hidden energies lying dormant in winter, not only in the Earth but within ourselves. Think of birth not as the start of life but as its continuance. Welcome the return of the God.
After a time cease and stand once again before the altar and flaming caldron. Say:

Great God of the Sun,
I welcome Your return.
May You shine brightly upon the Goddess;
may You shine brightly upon the Earth,
scattering seeds and fertilizing the land.
All blessings upon You,
reborn One of the Sun!

Works of magick, if necessary, may follow.
Celebrate the Simple Feast.
The circle is released.



YULE LORE

One traditional Yuletide practice is the creation of a Yule tree. This can be a living, potted tree which can later be planter in the ground, or a cut one. The choice is yours.
Appropriate Pagan decorations are fun to make, from strings of dried rosebuds and cinnamon sticks (or popcorn and cranberries) for garlands, to bags of fragrant spices which are hung from boughs. Quartz crystals can be wrapped with shiny wire and suspended from sturdy branches to resemble icicles. Apples, oranges and lemons hanging from boughs are strikingly beautiful, natural decorations, and were customary in ancient times.
Many enjoy the custom of lighting the Yule log. This is a graphic representation of the rebirth of the God within the sacred fire of the Mother Goddess. If you choose to burn one, select a proper log (traditionally of oak or pine). Carve or chalk a figure of the Sun (sush as a rayed disc) or the God (a horned circle or a figure of a man) upon it, with the Boline, and set it alight in the fireplace at dusk on Yule. As the log burns, visualize the Sun shining within it and think of the coming warmer days.
As to food, nuts, fruits such as apples and pears, cakes of carraways soaked in cider, and (for non-vegetarians) pork are traditional fare. Wassil, lambswool, hibiscus or ginger tea and fine drinks for the Simple Feast or Yule Meals.

"An aim of magick is to train the mind by harnessing and making more
consciously accessible such higher faculties as intuition, inspiration and
the creative imagination, and by drawing on the power of the unconscious -
to try and use more than the 10% of our brain's capacity that we do.

... Magick assumes belief in, or rather experience of, subtle energies. We can
only see about one seventieth of the light spectrum, yet what we cannot see
still affects us - such as x-rays and ultraviolet light. Similarly, magick
is about focusing more subtle, non-physical energies, and directing them to
create change. To go about this requires experience, and training to improve
the power of the mind, and specifically, the will.

Acts such as meditation, breath control, voice work, body work,
visualization, drama, ritual, and others, are all designed to improve our
body and mind, to better sharpen us and balance us, and to enable us to
perceive and wield more subtle energies." ~ Rankine